Combining Printing and Collage Techniques in the Creation of Paintings Derived from Abstract African Art Forms

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Nagwa Kamel Mohamed, Gidaa Ali Alamry, Naglaa Muhammad Farouk Ahmed

Abstract

The artist seeks to achieve aesthetic creativity compatible with the society in which he is and always needs features, ideas and creative inputs to enrich the performance of the design and obtain distinct designs, so the research deals with four basic entrances, namely the entrance to show the different abstract values of the aesthetics of African art forms and the entrance to show these abstract values through stencil printing technique, and the entrance to show these abstract values through collage printing technology and the entrance is interested in implementing designs Through these entrances, the collage technique was clarified, and the abstract values found in African art forms, in terms of treatment and style of performance,addressing the topics and their values, connotations and distinctive features, clarifying abstract art and clarifying how to link them to make contemporary designs, and the research aims toJ to shed light on the benefit of the integration of printing technology and collage technique in enriching aesthetic and plastic values in the painting inspired by abstract African art, has been using the descriptive experimental approach, and has been the implementation of (4) of contemporary paintings and the most important results of the employment of units and vocabulary of African art and the expressive values involved in addition to its plastic value in the works of artists, achieved creative entrances can be used in the field of printing study.

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